نوع مقاله : مقاله پژوهشی
عنوان مقاله English
نویسندگان English
Introduction
Aesthetic approaches to literature are approaches that "deal primarily with issues related to the beauty and form of the work rather than with extratextual or contextual issues such as politics and history" (Rima Makarik, 2004: 166). The objectives of the research include: introducing the manifestations of linguistic aesthetics in the ghazals of Mohammad Ghahraman as one of the revivers and followers of the Indian style in contemporary poetry, familiarizing the audience with the prominence and distinctiveness of the poetic language of this classical poet of the contemporary Indian style, and analyzing the originality of the aesthetics of the Indian style in the poet's poetic language. Given that no independent research has been conducted on the poetic language of Mohammad Ghahreman to date, it is clear that examining it from different perspectives is a research necessity.
Research Methodology
This research, using library resources and a descriptive-analytical method, analyzes the linguistic characteristics of Mohammad Ghahraman's ghazal poetry. And the extent to which the poet personifies linguistic richness through linguistic non-normativity and innovation has been examined.
Discuss
Colloquial elements and everyday expressions are highly prevalent in Hindi-style poetry, and one of the most prominent features of this style is "the use of words, expressions, and allusions of colloquial and slang language that are used in everyday life and in the market alley" (Sadeghzadeh, 2013: 9). This feature is prominent in the lyrics of Mohammad Ghahraman. He has used slang words in his poems. Slang and colloquial words appear in his lyrics in the form of irony and proverbs. "If a poet escapes from the main layer of poetry, which is the standard form of writing, and uses colloquial vocabulary or syntax, this escape from standard language will make his poems stand out and distinguish their style."
Conclusion
Mohammad Ghahraman has increased his poetic linguistic capacity by creating new and unique combinations, and has proven his poetic ability by innovating in his poetic linguistic expression of new fantasies and images. Therefore, the poet's greatest effort in the field of language has been focused on word formation and enriched combinations. In addition, he has contributed to the lexical richness of his poetry by borrowing from colloquial language and with the help of proverbs and slang expressions. Through his careful thought and creative mind, he has created a balance and pleasant music in his poetic language with the help of repetition. The construction of numerical dependent combinations has diversified his poetic vocabulary and expressions. He has artistically included all the special words and motifs in the form of beautiful numerical images. Therefore, in the axis of association of Mohammad Ghahraman's language, two types of structures can be observed, literary and limited special affixes, which the poet has consciously chosen to create more imagination and express his special thoughts.
کتابشناسی
کتابها
مقالهها
1.دهرامی، مهدی (1393)، «ترکیبسازی در شعر قیصر امین پور و نقشهای هنری آن»، فصلنامۀ پژوهشهای ادبی و بلاغی، سال سوم، شمارۀ 9، صص 53ـ 62
2.خویینی، عصمت (1395)،«بررسی زبان در غزل نظیری نیشابوری» دو فصلنامۀ علوم ادبی، شمارۀ 9، صص 85ـ 107
3.صادقزاده، محمود (1392)، «اصلیترین ویژگیهای سبک هندی در غزلیات محمد قهرمان» فصلنامۀ تخصصی سبکشناسی نظم و نثر فارسی بهار ادب، سال ششم ، شمارۀ 3، صص 293ـ 308
4.کاردل ایلواری، رقیه (1390)، «ساخت ترکیبات وابستههای عددی خاص در غزلیات بیدل» فصلنامۀ تخصصی سبکشناسی نظم و نثر فارسی بهار ادب، سال چهارم، شمارۀ 4،صص: 301ـ 312
5.مدرسی، فاطمه و رسولیان، کمال(1402). «بررسی واژگان غیر مستعمل امروزی در اشعار رودکی»، فصلنامه بینالمللی علمی- تخصصی مطالعات زبان فارسی (شفای دل سابق)، سال ششم، شمارۀ 13، صص: 73ـ 94
پایاننامهها
1.رزازان، بهزاد(1394)، «سبکشناسی ۵۰ غزل از محمد قهرمان»، پایاننامۀ کارشناسی ارشد، دانشکده زبان و ادبیات فارسی، دانشگاه علامه طباطبایی.
2.صادقی نژاد، طیبه (1391)، «ویژگیهای سبک هندی در غزلیات محمد قهرمان» پایان نامۀ کارشناسی ارشد زبان و ادبیات فارسی، دانشگاه آزاد اسلامی واحد یزد.
3.مدرسی، فاطمه و حقی، ساحره (1385)، «نمود زیباییشناسی در اشعار شفیعی کدکنی» پایاننامۀ کارشناسی ارشد زبان و ادبیات فارسی، دانشکده ادبیات و علوم انسانی، دانشگاه ارومیه.
