1
Ph.D. student, Department of Persian Language and Literature, Astara Branch, Islamic Azad University, Astara, Iran.
2
Assistant Professor, Department of Persian Language and Literature, Astara Branch, Islamic Azad University, Astara, Iran (corresponding author).
3
Assistant Professor, Department of Persian Language and Literature, Astara Branch, Islamic Azad University, Astara, Iran.
10.22034/jmzf.2022.351342.1118
Abstract
Abstract In tyrannical societies and authoritarian governments, opacity is the best way to express social pains and is a channel for protesting and of course, it is prudent; This means that the inappropriate social conditions and the suffocating atmosphere of the lands lead the artist to conceal and express his beliefs in the envelope of opacity’s literary array: An indirect and effective statement that raises the awareness of the audience, and in a way, it can be considered as a way of the writer's or poet's pen struggle against the rulers and the deceptive and hypocritical people. In the 7th and 8th centuries of AH - which is one of the darkest periods in Iran's history - our land was attacked by the Mongols and their rule. The tyranny of the rulers during these two centuries resulted in heavy social suffocation; as it has been very influential on Persian poetry and especially the form of Sonnet and has caused the introversion of Iraqi style poets. In the current study - which examines the literary industry of opacity and its relationship with critical issues in Hafez's sonnets - data has been collected through document analysis and described in a qualitative manner. The result of this research shows that the use of idioms in order to criticize the actions of oppressive kings and hypocritical Sufis and ascetics in the court of Khajeh is a characteristic of the poet's style, and among the types of opacities, the frequency of opacities of proportion and singular opacities are more than other types.
انجوی شیرازی، سیّدابوالقاسم (1361)، دیوان خواجه حافظ و کشف الابیات و کشف اللّغات، تهران: بدرقۀ جاویدان.
راستگو، سیّدمحمّد (1379)، ایهام در شعر فارسی، تهران: سروش.
حافظ، شمسالدیّن محمّد (1368)، دیوان حافظ (قزوینی- غنی)، به اهتمام عبدالکریم جربزهدار، ویراستاران: قاسم غنی، محمد قزوینی، تهران: اساطیر.
خرّمشاهی، بهاءالدّین (1396)، حافظنامه، جلد 1، تهران: علمی و فرهنگی.
طهماسبی، فرهاد (1389)، اسرار عشق و مستی، تهران: علم.
فرید، طاهره (1377)، ایهامات دیوان حافظ، تهران: طرح نو.
معین، محمّد (1374)، حافظ شیرینسخن، تهران: صدای معاصر.
مقالهها
امامی، صابر (1388)، «حافظ و هویت فرهنگی ایران»، فصلنامۀ پژوهش زبان و ادبیات فارسی، 13، صص 67-85.
تلخابی، مهری (1399)، «بررسی لایة ایدئولوژیک سبک شعر حافظ با تأمل بر طنز (از منظر تحلیل گفتمان انتقادی)»، فصلنامۀ علمی تفسیر و تحلیل متون زبان و ادبیات فارسی (دهخدا)،46، صص 324-293.
حسنزادۀ نیری، محمّدحسن و دالوند، یاسر (1394)، «ایهامتناسبهای پنهان در شعر حافظ»، متنپژوهی ادبی، 64، صص 53-31.
pouryavar choobar,M. , nazari charvadeh,A. R. and nazari charvadeh,M. (2022). Analyzing Hafez's opacity sonnets in critical issues. Motaleat-e-zaban-e-farsi, 5(11), 57-70. doi: 10.22034/jmzf.2022.351342.1118
MLA
pouryavar choobar,M. , , nazari charvadeh,A. R. , and nazari charvadeh,M. . "Analyzing Hafez's opacity sonnets in critical issues", Motaleat-e-zaban-e-farsi, 5, 11, 2022, 57-70. doi: 10.22034/jmzf.2022.351342.1118
HARVARD
pouryavar choobar M., nazari charvadeh A. R., nazari charvadeh M. (2022). 'Analyzing Hafez's opacity sonnets in critical issues', Motaleat-e-zaban-e-farsi, 5(11), pp. 57-70. doi: 10.22034/jmzf.2022.351342.1118
CHICAGO
M. pouryavar choobar, A. R. nazari charvadeh and M. nazari charvadeh, "Analyzing Hafez's opacity sonnets in critical issues," Motaleat-e-zaban-e-farsi, 5 11 (2022): 57-70, doi: 10.22034/jmzf.2022.351342.1118
VANCOUVER
pouryavar choobar M., nazari charvadeh A. R., nazari charvadeh M. Analyzing Hafez's opacity sonnets in critical issues. Motaleat-e-zaban-e-farsi, 2022; 5(11): 57-70. doi: 10.22034/jmzf.2022.351342.1118
