نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی دکترای زبان و ادبیات فارسی، واحد مشهد، دانشگاه آزاد اسلامی، مشهد، ایران.
2 استادیار گروه زبان و ادبیات فارسی، واحد مشهد، دانشگاه آزاد اسلامی مشهد، ایران (نویسندۀ مسئول).
3 استادیار گروه زبان و ادبیات فارسی، واحد مشهد، دانشگاه آزاد اسلامی مشهد، ایران.
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
In contemporary literature, "Female Writing" and "Modernism" have similar meanings. Pulling over the norms, fragmentation, underlying mentality, stream of consciousness, and the hysterical state of language are all features of Female Writing that are also elements and moethods of modern stories. In other words, it seems fair to say that Modernism in literature can be considered as a result of the tendency towards democracy and polyphony, which in the twentieth century, the time of breaking the traditions and the collapse of treaties, became a serious human concern; and as long as both Modernism and theory of Female Writing allow the existence of polyphony and the establishment of democracy and pluralism, these two concepts are inherently associated, Houshang Golshiri in The Prince Ehtejab, using modern methods of narration and storytelling, create harmony and coherence in accordance with the modern characteristics of the active and invincible female character that makes the story in close connection with Female Writing in which the inevitable authority of the men is removed to provide a good opportunity for a female character such as Fakhro’nesa to challenge the discrimination and guardianship rules implicitly or explicitly. Therefore, the aim of this research is to give a new perspective to a modern Houshang Golshiri’s novel by firstly extracting the modern elements and justifying the modernist nature of that novel and then with the analysis of the actions of female characters (Fakhro’nesa in particular). Consequently, it’ll be specified how independent or dependent, traditional or modern those women are.
کلیدواژه‌ها [English]
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